Cult Hong Kong filmmaker Wong Kar Wai’s Chungking Express is a stylish combination of romance, dead-pan comedy and film noir set in and around Hong Kong’s notorious Chunking Mansions, a complex of shabby hostels, bars and clubs teaming with illegal immigrants. I’ll likely give it a go soon. The dialogue and characters in particular I felt to be not well-written at all. I watched it again about a year later and fell in love with it. (Watched with commentary by noted film critic, Tony Rayns.) Chungking has a story with so much heart and sincerity. Jesse, played by the scarcely legal Elle Fanning, comes to Los Angeles to become a model. . In other words, the sheer banality of the second act ensures the audience will be longing for the frenetic energy and pace of the first act. Many people wouldn't necessarily be into that, or be knowledgeable to really appreciate it. If you felt any part of Chungking was lacking in character development or story, in the mood will fill those cracks for you. I've seen Chungking 4 or 5 times now and always find more in it, but I'm not sure you'll change your mind if you didn't like it in the first place. Wong Kar-Wai's movie about two love-struck cops is filmed in impressionistic splashes of motion and color. illustration by Tony Stella. In contrast, the constant use of ‘California Dreamin’’ in Chungking Express is numbingly irritating. I thought Chungking Express was good the first time I saw it. I just watched it recently as well and I had the same feeling. I'm not too crazy about Chungking Express or Wings of Desire, and I flat out hated Heaven's Gate. 95 Part 16 of Film Wars Conclusion: Chungking Express vs. Eternal Sunshine of the Spotless Mind. 6. this movie borders on a rom-com, but it is much, much cooler. T he Hong Kong of Chungking Express is electric, frenetic, dense. most overrated: Happy Together– #362 all-time on TSPDT.I’ve only seen it once and I know Kar-Wai Wong’s films need more room to breathe than that. The story swap hit me so much harder during my second viewing. ( Log Out / And I think longing has a large part to do with most of his films honestly. Seemingly attempting to replicate Spike Lee’s motific diegetic integration of Public Enemy’s ‘Fight the Power’ in Do the Right Thing, Kar-Wai has Faye incessantly listen to the song ‘California Dreamin’’ by The Mama’s and the Papa’s. I recommend a double-double feature. . In this regard, Wong Kar-Wai is the arthouse Asian equivalent of Wes Anderson’s empty populism. I’d definitely recommend In The Mood For Love. Faye wants to go to California. Both stories’ protagonists work as a cop; Both stories are about their struggle to cope with the loss of their… ...and I can’t say that I’m a fan. It’s not that great now that everyone can watch it without paying $150, New comments cannot be posted and votes cannot be cast. Favorites: Chungking Express (1994), PlayTime (1967), The Seventh Seal (1957), Akira (1988). Consequently, the second act lacks any semblance of thematic or formal surprise, and thus fails to engage the viewer on the same level as the frenzied and plot-heavy first act. It's a movie about the visceral but fleeting joy of the moments when we fall in love, and the aching baseline existence that makes those moments soar. But Chungking Express is very different, almost the polar opposite of In the Mood. WKW just has a unique way of chiseling to the hearts of his characters. It definitely has a cult following. I think The Seventh Seal is immensely overrated, I think it's just alright. But I feel that from a standpoint of being compelling or enjoyable, this film leaves a lot to be desired. However, all the creative talent involved in the production of Chungking Express, including veteran actor Tony Leung and Australian cinematographer Christopher Doyle, could not save Kar-Wai’s breakthrough film from being a mawkish structural mess that fails to engage on either an intellectual or emotional level. thanks for this well-written and astute review. Don't worry about Ebert, it's a bit of a stupid line, the type he was prone to writing. Six minutes into Wong Kar-wai’s 1994 romantic drama Chungking Express, the camera lingers on a rotating display of compact discs affixed to the top of a jukebox inside a Hong Kong bar. I was struggling to follow the plot and was jarred by the dual structure. 1:19. The repetition of "California Dreamin'" makes the narrative feel like it's continually slipping backwards, and through that song playing over and over and over again, we can trace the development of the characters. The City as a Space of Multiple, Infinite, Relational Possibilities in Chungking Express; Sympathy for Inanimate Objects in Chungking Express Doyle’s aesthetics are certainly dazzling, but its oneiric formalism is ultimately empty and its post-structuralism is overwhelmingly ineffective. Chungking Express. It's still possibly the most beautiful film I've ever seen but good gravy, the hype for it compared to what we got was opposite. Change ), You are commenting using your Google account. The title is symbolic of the film’s lively, anything-goes sensibility, representing the pair of largely unrelated stories that make up its bifurcated narrative. Chungking Express explores many key themes and ideas in relation to the story arch of the characters, the ambiguous setting of Hong Kong as an omnipresent force and its aesthetic. Chungking Express essays are academic essays for citation. ( Log Out / It was a struggle for me too. I’m honestly confused at the universal acclaim this film has received. Wong Kar-Wai has proven himself to be a great director – In the Mood for Love is one of the greatest films of the 2000s. 78 films watched. The only actual character in the film I cared about was Hong Kong itself. Am I missing something here? I deeply love this movie, but I was definitely kind of indifferent after the first viewing. By the time I got back to Chungking Express, I was primed to fall head over heels, and I did. However, Kar-Wai offers a mere simulacrum of Lee’s film. To me, Chungking has a story with so much heart and sincerity, I truly don’t know what you’re talking about. I went into it with an open mind, yet knew all the acclaim it had. To me Wong Kar Wai is a filmmaker who paints in broad strokes of emotion. Chungking Express (1994) One thing is definite: Wong Kar-Wai has got his own, distinctive cinematic character. However, the film isn’t your typical descent down the maelstrom … Watch Chungking Express and In the Mood for Love as close to back-to-back as you can. Chungking express - bande annonce. Many people wouldn't necessarily be into that, or be knowledgeable to really appreciate it. Favorites: Thelma & Louise (1991), Forrest Gump (1994), Waltz with Bashir (2008), Nowhere (1997). I realize this will probably be an extremely unpopular opinion on this sub, but I just wanted to see what others have to say about it. It's perfectly okay if you didn't like it, though. Dennis Brown’s “Things in Life” appears four times in Chungking Express‘ first 40 minutes.During the last of these four instances, the camera follows a white drug boss as he leaves a bar. In the first story, He Qiwu, badge number 223, is a plainclothes officer. Doyle shows his hand too early, exploiting all his formalistic devices early in the piece. Act one portrays the tale of Cop 223 (Takeshi Kaneshiro) who comes in contact with a peculiar drug runner in a blonde wig. For example, I didn’t enjoy Scanners, but Videodrome is one of my favorite films of all time. Trailer Bookmark Introduce. I disagree with the notion that the movie isn't about story or character - plot, maybe - but the character-based storytelling is rich in both segments. Hot Take: In the Mood for Love is boring and overrated in my eyes. A second glance at Wong's beautiful and mesmerizing duo of intersecting love stories (on Criterion's Blu r… I read that Roger Ebert referred to this film as “the kind of movie you'll relate to if you love film itself, rather than its surface aspects such as story and stars. From the outset, Chungking Express is so explicitly about the inability of institutional authorities to successfully engage with the populace that the film requires little decoding; this theme carries a bathetic degree of irony when you consider how simply unengaging the bulk of the film is. She wants a new life. Then wait 6 months or a year, and watch them again. At the end of the day it is not awful, but it is surely one of the most overrated films of the 1990s. The human characters are not particularly realistic or fleshed-out... but they seem to fit to me somehow. I think the difference between my two viewings was the frame of mind. for casual audiences.” Which just adds to my confusion. Later I watched In the Mood for Love, then bought the old Kino WKW boxset and started from the beginning. However, it all hits us certain ways and honestly I would say give t another go after awhile. Have you seen many other films by WKW? It’s possible that everyone talking about the film has given you too high of expectations. 30 - Andre님이 찾은 핀입니다. It's two little shorts, with some recurrent images or ideas and locations, but when I compare it to another movie supposed to be about life in a different city like Tapei Story I just feel there's no comparison. In Chungking Express, the narrative comprises two separate stories, told in sequence, about policemen working the beat in the vicinity of the Chungking Mansions, a famously seedy Hong Kong locale and gathering place for night people of all ethnicities. Given her inherent beauty, she is immediately sought after by producers, and soon envied by her superiors. I was disappointed by it and also for it's place on the bfi list find it highly overrated. It’s a pop culture shorthand that, to the untrained ear, seems to carry more thematic weight that it actually does. So I’m definitely not going to let this turn me off to the rest of his filmography. If you don't love them both after that, I don't know what to tell you, but I would be surprised if you don't rinse and repeat for the rest of your life. It's a nonjudgmental look at human beings - there are no villains or heroes, just a bunch of sympathetic people trying to do what they can to patch up the empty parts of their lives. It's magical. Chungking Express (1994) Kelsey Ford. I enjoyed it when I saw it, but I was expecting a quirky 90s comedy-romance. Two individual stories of lovelorn Hong Kong police officers are told against the backdrop of the bustling but often lonely concrete jungle that is the city, the two stories loosely tied by the same western fast food stall in the Chungking Mansions they routinely frequent. While he exits, the song rises in volume, indicating that, this time, its occurrence is not from his perspective. Chungking Express is a two-parter love story depicting two romances in urban Hong Kong. I think it's a great movie, but it took me a couple watches to really get into it. I had really high expectation for Chungking Express, because my viewing experiences of In the Mood for Love and Happy Together are both underwhelming, so I really wanted this one to knock me off my boots. It’s happened before that I didn’t enjoy my first film from a director but loved my second. Their lives are casual chaos. As Bettinson later explains, characters in Wong's films tend to choose their musical cues, but Chungking Express is one where the pop songs chosen serve a less than typical purpose. At least your are willing to maintain your opinion rather than just tell yourself to go with the consensus. In the Mood for Love is a better film in my opinion, and a better place to start for a new viewer. Ethan Edwards (John Wayne) in the film’s now-famous closing shot. It feels slight to me, and I honestly don't know why I'm supposed to gush over images of people playing with toy airplanes as a metaphor. k-chan. Change ), You are commenting using your Facebook account. A film of two halves, the first part of Chungking Express takes place largely in Chungking Mansion, a unique pocket of Hong Kong urban life. The structural weighting of the film hence feels misaligned, as the unfocused and unnecessarily repetitive second act is twice the duration of the first act. July 02, 2020 17:07. The first act of Chungking Express is genuinely funny but the attempts at humour in the second act are cringe-worthy, again elucidating the structural misgivings of the film. On review aggregator website Rotten Tomatoes, the film holds an approval rating of 87% based on 55 reviews, and an average rating of 7.90/10. Appropriating the two-act peripeteiac structure popularised by the incredibly dated and hackneyed The Crying Game, Chungking Express starts with a brilliantly entertaining first act and completely runs out of steam after thirty minutes, relying on tiresome repetition in its unnecessarily protracted second act. Time to move on. chriswalkerdd uses Letterboxd to share film reviews and lists. The technical aspects were nice; the visuals, the cinematography, the aesthetic, etc. But I noticed In The Mood For Love is also on the Criterion Channel, which is how I watched Chungking Express. Nostalgia in The Searchers is also interesting as it doesn’t focus on the home, rather on the landscape. Given that so much of the film is ultimately dull, the smaller on-the-nose elements in the script become sightly and bothersome. Does this film get better upon subsequent viewings? Bio: i really really like films and sometimes watch them Unlike the structural déjà vu of Beckett’s Waiting for Godot, Chungking Express is frankly uninteresting, especially on repeat viewings. It's two little shorts, with some recurrent images or ideas and locations, but when I compare it to another movie supposed to be about life in a different city like Tapei Story I just feel there's no comparison. The second time, I expected poetry, and that made all the difference. People crowd and push and elbow, a collective urge with neon-blurred edges. It's a lyrical movie, and one that is heavily associated with Hong Kong cultural identity and its politics at the time. Every time ‘Fight the Power’ is used in Do the Right Thing, it is in a different context and thus carries a different meaning, while still acting as an effective leitmotif each time. https://screenrant.com/movies-like-prime-video-sylvies-love Unfortunately it didn't. Doyle’s dizzying hand-held cinematography and tantalising use of slow-motion and multiple-exposure effectively disguises the film’s tonal monotony; through this, Kar-Wai deludes and confounds the audience into thinking that the film is more thematically acute and astute than it actually is. I also think there's a lot of interesting symmetries between the stories and the film is interesting structurally. It's not a movie for casual audiences.” And I’m definitely someone who loves film, and I deeply respect the art of filmmaking, and some of my favorite films are others that would widely be considered “not . Kong of Chungking Express in contrast, the song rises in volume, indicating that to... Mark to learn the rest of the film is ultimately empty and its is! Honestly confused at the universal acclaim this film leaves a lot to be re-released every single week online to for. Single week online film has given you too high of expectations character in the piece day! 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