Regal A powerful and thoughtful film, it is also not what it at first seems, which is part of the point Polley appears to be interested in making. Just leave us a message here and we will work on getting you verified. Oscar-nominated director Sarah Polley uncovers the secrets buried within a family of storytellers in this "unmissable" (Rolling Stone) and "riveting" (Los Angeles Times) film. Very good documentary. We all tell stories, though. They have helped us to survive and evolve, so we need them like a thirsty person needs water. We want to hear what you have to say but need to verify your account. Diane conceals the truth from Michael, Sarah, and everyone except her lover Harry and some girlfriends. Unfortunately, Stories We Tell lacks the historical sense, in keeping with most contemporary movies, that could have made it far more compelling. |, February 27, 2021 We tell them to justify our actions and to support our point of view. Directed by Sarah Polley • 2012 • Canada. and to receive email from Rotten Tomatoes and Fandango. The pay-off that Polley leads us to is real enough to hang a movie on. The unfolding parental origins drama is done well, but I did find the participants defensive for good reason. Stories We Tell explores the elusive nature of truth and memory, but at its core is a deeply personal film about how our narratives shape and define us as individuals and families, all interconnecting to paint a profound, funny and poignant picture of the larger human story. Certainly not enthralling viewing as the subject of a documentary. Very Good Film. Well, it's a smorgasbord of inclusion. It was reissued as Stories We Could Tell:The RCA Years by BMG in 2003 and included additional tracks, all stemming from the successor album Pass the Chicken & Listen.In 2014 it was re-released once more on Stories We Could Tell + Pass The Chicken & Listen by Morello Records. She then marries a man named Michael, but cheats on him too. On one level, the documentary is a poignant family story that reveals unexpected secrets through the interviews with the Polley family. Please enter your email address and we will email you a new password. Quite dull, honestly. But we all have stories to tell, and everyone comes away with a alternative perspective, which is what makes Stories We Tell such a fascinating journey from start to finish. Who really cares that the mother had an affair and a child by another man which she passed off as her husband's? thanks to those concerned and for your great service. PG-13 (Sexuality|Brief Strong Language|Smoking|Thematic Elements), January 15, 2021 Stories We Tell with Lee Isaac Chung & Viet Thanh Nguyen Share An epic conversation with Minari filmmaker Lee Isaac Chung and novelist Viet Thanh Nguyen on the gift of failure, the vulnerability of fatherhood, and knowing when it’s time to tell your own story. Reviewed in the United States on June 26, 2017. I THINK THIS WAS A DOCUDRAMA, NOT DOCUMENTARY, Reviewed in the United States on August 20, 2018. To move, to persuade; to shape belief, to inspire action. This 10-digit number is your confirmation number. |, December 6, 2019 The result is a work of pure genius; deftly adhering to her own families uncertainty of Polley sharing her personal family story in this way, while still maintaining some of that mystery, as well as perhaps inadvertently making a statement on an audience's' willingness to take documentary form at face value. Her distorting of memory and fact is so subtle and presented so absorbingly that her ability to manipulate her own personal work and still tell the story she wants becomes even more intriguing as the film progresses. | Rating: 8/10 Sign up here. Not a one time thing, but a two year affair during a period where she has abandoned her second set of children and moved to another city in order to pursue an acting career. She attempts to create a documentary of her family story. George, her first husband, is blamed for being "controlling." Stories we tell, Chandler. Reviewed in the United Kingdom on June 13, 2015, Top subscription boxes – right to your door, © 1996-2021, Amazon.com, Inc. or its affiliates. Stories We Tell is a 2012 Canadian documentary film written and directed by Sarah Polley and produced by the National Film Board of Canada (NFB). |, December 31, 2013 Don’t worry, it won’t take long. He has appeared on numerous media outlets including The NYT, WSJ, USA Today, and CBS. 1. Sorting through those secrets through Polley's candid interviews with her father, family members, and close family friends is fascinating to watch. We all have stories to tell, but some of us feel compelled to write them down, to give them shape, to heighten the drama, maybe steal someone else’s story, to lie a little or a lot. What a beautiful man and father. [Full review in Spanish]. Stories We Tell explores the elusive nature of truth and memory, but at its core is a deeply personal film about how our narratives shape and define us as individuals and families, all interconnecting to paint a profound, funny and poignant picture of the larger human story. The mother was married twice, had at least one affair —that resulted in a daughter who made the documentary. McAdams has found that beyond stories of redemption, people who believe their lives are meaningful tend to tell stories defined by growth, communion and agency. We live inside our very own version of a Choose Your Own… We provide 21st century marketing needs, so you get to spread your brand's story. Interesting extended family relationships, Reviewed in the United Kingdom on May 21, 2014. Sarah is talented, the story of the mess that her mother made of everyone's lives is mildly interesting, but I just could not stand watching Michael blame himself when it appears that his fault was solely in marrying such an unfaithful and selfish woman. In Stories We Tell, director Sarah Polley attempts what I think is the impossible. To carry on that tradition, "Stories We Tell" will share a new story with you every Thursday. Very talented lot, they are. In Stories We Tell, Sarah Polley plays with the documentary format to explore the nature of memory and storytelling, crafting a thoughtful, compelling narrative that unfolds like a mystery. It's perhaps too matter-of-fact at times, but the real treat is Polley's ability to seamlessly segue between the real and the fictional in her what she shows on screen interspersed with the memories being shared here. What a rare and beautiful film, an unveiling of family secrets told by those involved, and pieced together in such an honest way. Your AMC Ticket Confirmation# can be found in your order confirmation email. Her playful investigation into the elusive truth buried within the contradictions of a family of storytellers paints a profound portrait of … | Top Critics (58) |, December 31, 2013 We want to hear what you have to say but need to verify your email. It would be easy to criticise Polley's cold unravelling of the facts here, and that she uses her own family drama as a foil for a grander discussion on the morality of choices, memories, truth and lies. kind of speechless. |, December 31, 2013 When you're in the middle of a story, it isn't a story at all but rather a confusion, a dark roaring, a blindness, a wreckage of shattered glass and splintered wood, like a house in a whirlwind or else a boat crushed by the icebergs or swept over the rapids, and all aboard are powerless to stop it. Please reference “Error Code 2121” when contacting customer service. Get the freshest reviews, news, and more delivered right to your inbox! Joshua Becker is the WSJ Best-Selling author of The More of Less and The Minimalist Home. The stories we tell ourselves matter. Stories We Tell explores the elusive nature of truth and memory, but at its core is a deeply personal film about how our narratives shape and define us as individuals and families, all interconnecting to paint a profound, funny and poignant picture of the large. Loving people without any unreal expectations is always a good idea. Enjoying a good story is written in our DNA. Wow. When they got there, they saw wheat and trees and fruit—things they had never seen before after spending their lives in the desert. So, even though I enjoyed it, if I had known this had more in common with reality tv with its tropes, I probably would not have watched it. Because the stories we tell now will resonate through time. Wow. Select the department you want to search in. I was entertained and moved. I'm sure it happens every day and not really of interest to anyone except the family involved. Recommended to anyone interested in family research. Polley surprises us with the brave and unreserved way that she exposes her family's secrets while trying to extract a meaning from her quest, even if she doesn't seem to know exactly how to end it, going a bit longer past what should have been its conclusion. Stories We Tell is a challenging work, with that startling use of reconstructions, which are arguably self-conscious and in questionable taste. | Rating: 1/4 A thoughtful, intimate biography concerning one's family from director/actor Sarah Polley, specifically centering around her mother and whether or not her father was in fact her mother's husband. Choose positive ones that foster the life you want to live and the person you want to become. Coming Soon. I love the messy quality of breaking the 4th wall, which makes the documentary process a part of the story. About Joshua Becker. Bravo, Sarah Polley. Thanks for sharing your lives with us. — The National Film Board of Canada We tell them to ourselves, we tell them to those whom we care for and love, and we tell them through our work. |, August 27, 2019 The opposite of a courageous piece of work, Stories We Tell goes out of its way to protect every single person it touches. In Stories We Tell, Sarah Polley plays with the documentary format to explore the nature of memory and storytelling, crafting a thoughtful, compelling narrative that unfolds like a mystery. | Rating: 4/5 Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. Director (s): Sarah Polley. It also analyzes reviews to verify trustworthiness. Stories We Tell has an intricate structure of narrative levels that questions its own factual accuracy. Some looked like they were being asked "have you beat your wife lately?" We won’t be able to verify your ticket today, but it’s great to know for the future. 2020-2021 Stories We Tell Course Pairings. Coming Soon. Like some of the discussion in the documentary, people were discussing the truth. I would think that having recreated scenes would be distracting and manipulative, but I found those additions to the documentary not as disturbing as I thought. Reviewed in the United States on July 20, 2017. Polley takes a Rashoman-esque stance in how she portrays her family and the stories she has them tell, each sounding mostly familiar but each containing details not included in the other versions. Family bonds, love, relationships, secrets and truth are all examined and revealed with such raw and open way. The work of a professional director... that can guide the viewer's emotions and attention. I absolutely absorbed the transparency of every character, and how honestly Sarah represented them and their story... for the good or bad. |, February 28, 2020 Viewing the credits at the end, not sure what that was. Reviewed in the United States on August 17, 2018. It was just people's stories... so I was able to listen and take in their feelings and thoughts. All Critics (147) Stories We Tell. To carry on that tradition, Stories We Tell, from ReformJudaism.org, will share a new story with you every Thursday. I wish I could watch it for the first time again. Whether you listen while driving to work, preparing Shabbat dinner, or taking your kids to school, each episode will give you a new story to … Video availability outside of United States varies. Diane later dies of cancer. We use stories to explain ourselves to others, to make sense of our history and our experience. 25 likes. In the grand scheme we will never know the whole truth about anyone and human perspective is always flawed. If a personal memoir film by a beautiful, successful young woman from a nice Toronto family sounds to you like it can only be an excuse for self-absorbed navel-gazing, well, you must not have seen a Sarah Polley movie yet. The image is an example of a ticket confirmation email that AMC sent you when you purchased your ticket. Reviewed in the United States on May 20, 2017. Stories We Tell: God's Miracle June 25, 2020 After 40 years in the desert, the Israelites reached the Land of Canaan. Through a series of revealing interviews, filmmaker Sarah Polley investigates the truth about her family history. I quit watching around the three-fourth's mark. What was created was interesting, but, not necessarily a consistent whole. It was so unusually HONEST! 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