coltrane blues tunes

Coltrane's sessions for Atlantic in late October 1960 were prolific, yielding the material for My Favorite Things, Coltrane Plays the Blues, and Coltrane's Sound. Sonny Rollins, Miles Davis, John Coltrane and more. Tyner sits out on “Blues to Bechet” and “Blues to You”, reducing the band to a trio on these tunes. All Blues - Nothing but Jazz Blues Tunes. G Gallop's Gallop. Down Beat: 4 Stars - "... destined to be a … Pianist McCoy Tyner sits out on “Blues to Bechet” and “Blues to You”, reducing the band to a trio on these tracks. A comprehensive playlist of popular Jazz blues compositions and performances throughout history. Use these melodic techniques from Miles, Cannonball, & Coltrane to improvise a great solo on these chord changes. The tunes, most likely selected in a discussion between Groulx and Coltrane, include "Naima," "Village Blues," "Like Sonny," "Traneing In" and a contrafact of "Out of This World" which became the title track, "Blue World." Joey DeFrancesco’s debut … My Favorite Things was destined to be the most remembered and influential of these, and while Coltrane Plays the Blues is not as renowned or daring in material, it is still a powerful session. You hear this harmonic gauntlet on tunes such as “Countdown,” “Giant Steps,” and a few other standards that Coltrane would reharmonize. By Brian Grant. This CD includes the complete original album "Coltrane Plays the Blues," a thematic LP consisting of six tunes based on the blues. The blues has so […] In December 1964, John Coltrane and his classic quartet headed in to Rudy Van Gelder’s New Jersey studio to record A Love Supreme, an album that documented the band reaching the zenith of its power, while cementing the saxophonist’s stature as one of the most visionary musicians of the genre.. As for the phrase "plays the blues" in the title, that's not an indicator that the tunes are conventional blues (they aren't). My Favorite Things was destined to be the most remembered and influential of these, and while Coltrane Plays the Blues is not as renowned or daring in material, it is still a powerful session. Day." Coltrane ’58 brims with the shared jazz repertoire of the day—blues, bebop standards and familiar ballads—as well as original compositions and obscure tunes Coltrane rediscovered. John Coltrane’s legend is most notably built on his innovations in bebop, modal, and avant-garde jazz, but he played his share of blues-based tunes, often mining the music’s primal earthiness for nuggets. There are seven tunes on this collection, a well-hewed mix that clearly suggests Coltrane had his sights on creating a full album that day. This album obviously highlights that side of him, but as only Coltrane can do it. Material ranges from the slow and straight “Blues to Elvin” to the droning “Mr. Pianist McCoy Tyner sits out on "Blues to Bechet" and "Blues to You", reducing the band to a trio on these tracks. Although never formally signed, an oral agreement between John Coltrane and Blue Note Records founder Alfred Lion was indeed honored on Blue Train-- Coltrane's only collection of sides as a principal artist for the venerable label. The second take was released on Thelonious Himself, while the first take was later used in compiling the album Thelonious Monk with John Coltrane. Copyright © 2021 Apple Inc. All rights reserved. Traneing In [RVG Ed.] This album obviously highlights that side of him, but as only Coltrane can do it. You haven’t really made it as a jazz musician until you learn to play … John Coltrane - Coltrane Plays The Blues (1966) 1.Blues To Elvin 7:52 2.Blues To Bechet 5:44 3.Blues To You 6:25 4.Mr. A 32-bar tune in AABA-form with a … It’s important for every jazz musician to know a good handful of blues heads, and even variations on the typical 12 bar form. Yet interesting details abound. It’s a smattering of material that doesn’t quite rise to the level of Coltrane’s Impulse! While soloing over the jazz blues chord changes can be fun and engaging for both performer and listener, there comes a point where we want to take our playing to the next level by adding in chord substitutions, creating a sense of tension and release in our lines and comping phrases. Coltrane subsequently applied the "Giant Steps" and "Countdown" progressions as chord substitutions over several standard tunes and jazz originals ("But Not for Me" and "Body and Soul," "Confirmation" became "26-2," "How High the Moon" became "Satellite," "What is This Thing Called Love"/"Hot House" became "Fifth House," and so on). (CD) Released in 2007 11 Add to Cart. Most notably, at Groulx’s request Coltrane revisited tunes from his time with Atlantic Records, including “Naima” from Giant Steps as well as “Like Sonny” and “Village Blues” from Coltrane Jazz . I find that rather ironic. Syms”, Trane plays soprano sax. Editors’ Notes John Coltrane’s legend is most notably built on his innovations in bebop, modal, and avant-garde jazz, but he played his share of blues-based tunes, often mining the music’s primal earthiness for nuggets. It's more indicative of a bluesy sensibility, whether he is playing muscular saxophone or, on "Blues to Bechet" and "Mr. Syms," the more unusual sounding (at the time) soprano sax. All Blues by Miles Davis is a great jazz tune to know. 4.4.1 Standard Changes: Blues, Rhythm, Coltrane • Changes = a standard chord progression that can be transposed to any key • Three of the most common progressions are blues changes, rhythm changes, and Coltrane changes. The compositions of John Coltrane range from the conservative to the radical, from 12-bar blues based on simple riffs to avant-garde works that extend the boundaries of form and tonality. “Giant Steps” from Giant Steps. The rest are originals, including a large number of blues and blues-like numbers. output of the period, but to be fair, it wasn’t intended to. John Coltrane). Elvin Jones, who hadn't been in Coltrane's band long, really busts out on the quicker numbers, such as "Blues to You" and "Mr. MARKETED BY RHINO ENTERTAINMENT COMPANY, A WARNER MUSIC GROUP COMPANY. Coltrane is unusually unselfish on this gig, something that bugged the hell out of Miles Davis during the quintet years when Trane would take these half hour solos, & Miles couldn't get him to stop. Of the 11 tunes on these two albums there is only one standard: I'm Old Fashioned . Blues changes • The blues is a 12-bar (12-measure) form, organized as 3 stanzas of 4 measures each. ℗ 1962 ATLANTIC RECORDS. The back cover of this LP release shows a caption from the All Music Guide (printed edition) which says that the recording for this album came from Coltrane’s sessions for Atlantic in late October 1960, sessions which also produced the material for My Favourite Things and Coltrane’s Sound.Musically speaking, this album is most of a country mile away from the other two albums, with … Syms 5:19 6.Mr. Coltrane Changes on the Blues I have been meaning to write a blues which incorporates "Coltrane changes", the harmonic progression John Coltrane superimposed over the harmony of many of his tunes during the early 1960s. The blues has always played a central role in jazz music from the very beginning and is without a doubt one of the most important forms in jazz. Playing jazz blues tunes is something that many guitarists love to do. On “Blues to Bechet” and “Mr. This is sort of a Coltrane record for people who don't like Coltrane: the tunes are standards (the only Trane original, "Trane's Slo Blues," is a version of Milt Jackson's "Bag's Groove"), and Coltrane's playing is unusually lyrical (Billy Strayhorn's title track), without the harsh pyrotechnics that earned him so much criticism in this period. Acknowledging his then-newfound love of soprano saxophone, Coltrane also pays respect to the first early soprano saxophone great on “Blues to Bechet.” This might not be the first stop for some new fans, but it's rewarding nonetheless. [Some reissues add five bonus tracks: two alternates apiece of "Blues to Elvin" and "Blues to You," and "Untitled Original (Exotica)." World-renowned jazz organist and four-time Grammy Award nominee, Joey DeFrancesco, joined by saxophonist and jazz icon Pharoah Sanders, will headline the 9th Annual John Coltrane International Jazz and Blues Festival on Sunday, Sept. 1, 2019. Start with the metronome at quarter = 60-70 and gradually increase the tempo until you can play it along with the recording. Giant Steps (Atlantic, 1960) Recorded in 1959 while Coltrane was still playing in Miles Davis’ band, … Also, a two-CD Expanded Edition released in 2017 included 13 bonus tracks recorded between 1957 and 1960, featuring the aforementioned Jones, pianist McCoy Tyner and bassist Steve Davis (both also heard on the original Plays the Blues album), as well as such additional jazz luminaries as Donald Byrd, Lee Morgan, Gene Ammons, Cecil Payne, Pepper Adams, Milt Jackson, Hank Jones, Red Garland, Mal Waldron, Wynton Kelly, Paul Chambers, and Art Taylor. All three were recorded on October 24, 1960. Knight,” which has a North African feel. Coltrane's sessions for Atlantic in late October 1960 were prolific, yielding the material for My Favorite Things, Coltrane Plays the Blues, and Coltrane's Sound. Play the roots of the I-VI-ii-V progression in all 12 keys; Play the triad of each chord in every key (ex. From the sound of it, this would have been an important one. The landmark tunes are Moment's Notice , Lazy Bird , Giant Steps , Countdown and Naima . Presented here is the complete original album COLTRANE PLAYS THE BLUES (Atlantic SD1553), a thematic LP consisting of six tunes based on the blues. Pianist McCoy Tyner sits out on Blues to Bechet and Blues to You, reducing the band to a trio on these tracks. As for the tunes, it's the blues, man.It starts off with "Blues for Elvin" & just gets better from there. My Favorite Things was destined to be the most remembered and influential of these, and while Coltrane Plays the Blues is not as renowned or daring in material, it is still a powerful session. ]. John Coltrane Blues Chord Substitutions. Coltrane's sessions for Atlantic in late October 1960 were prolific, yielding the material for My Favorite Things, Coltrane Plays the Blues, and Coltrane's Sound. Coltrane changes (Coltrane Matrix or cycle, also known as chromatic third relations and multi-tonic changes) are a harmonic progression variation using substitute chords over common jazz chord progressions. -Oliver Nelson – The Blues and the Abstract Truth-Sonny Rollins – On Impulse!-Sons of Kemet – Black to the Future-Charles Mingus - Mingus Mingus Mingus Mingus Mingus-Alice Coltrane – Turiya Sings • One (1) Impulse Merch Item of your choice from the following: -One (1) Impulse! Day 7:56 5.Mr. This release includes the complete original album Coltrane Plays the Blues (Atlantic SD1553), a thematic LP consisting of six tunes based on the blues. Editors’ Notes The disc is packed solid with sonic evidence of Coltrane's innate leadership abilities. I conclude with a summary of the background forms suggested by this group of Coltrane tunes. The tempos are fast, and the changes are relentless. A 12-bar blues recorded solo on April 16, 1957, for the album Thelonious Himself. Coltrane Plays the Blues (Expanded Edition), Both Directions at Once: The Lost Album (Deluxe Version), Cannonball Adderley Quintet In Chicago (feat. Bb triad, G triad, C minor triad, F triad); Pick one of the 3 Coltrane lines from above and memorize it in key of Bb. One of Coltrane’s notable developments was his harmonically adventurous series of substitutions that have become known as “Coltrane” changes. Techniques from Miles, Cannonball, & Coltrane to improvise a great solo these. Of each chord in every key ( ex large number of Blues and blues-like.! A 12-bar ( 12-measure ) form, organized as 3 stanzas of 4 measures each ’ t quite to... 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