Letts was a Buddhist, and his beliefs influenced his contributions to the series, such as the episode The Green Death (1973), co-written with Robert Sloman, which reflected his ecological concerns. Letts suffered from cancer for many years before his death. Barry Letts, who has died aged 84, had a career in television spanning five decades during which he was an actor, writer, producer and director. Sommaire 1 Première série 1.1 Premier Docteur William Hartnell 1.1.1 Première saison (1963 1964) 8 épisodes (42 parties) … Wikipédia en Français, The Dæmons — For other uses, see Daemon (disambiguation). He also taught directing for the BBC at Elstree Studios.[12]. He also oversaw the celebrations of the programme's tenth anniversary in 1973. Barry Letts is a Buddhist, and this has influenced several of his contributions to "Doctor Who". His earliest credit listed in the Internet Movie Database is a 1943 film called San Demetrio London. After one story with Baker, "Robot" he left the position of producer in 1974, having been the longest serving producer on the programme to that time. This was a story with a strong philosophical underpinning to it, influenced by Barry Letts's Buddhism. Create a free website or blog at WordPress.com. He produced that perennial favourite Doctor Who for just over five years (until 1975), overseeing frilly-shirted action man Jon Pertwee's extremely successful tenure and casting the little-known Tom Baker (arguably the most popular and iconic interpreter of the role) as his replacement. And possibly in choosing the actor for the next Doctor. [5] Notable changes Letts made, as related in his autobiography Who and Me, included producing the show in two-episode blocks, rather than as separate episodes: rehearsing two episodes for a fortnight, and then recording those two episodes back-to-back, thereby reducing the demands on the studio scenic crews, who only had to erect and strike the sets once a fortnight instead of once a week. Letts made cameo appearances in several Pertwee-era episodes. Letts' first story as producer was Pertwee's second, Doctor Who and the Silurians, and he remained the producer for the rest of the Pertwee serials, becoming the father figure in the 'family' atmosphere that had developed on the show at that time.
The alien worlds encountered during his tenure were therefore social commentaries on apartheid and the miners' strike, whilst self-serving government ministers could be as much of a menace to mankind as rampaging dinosaurs. Spunky and intuitive reporter Sarah Jane Smith (Elisabeth Sladen) reflected the rise of the feminist movement, and proved so popular that over thirty years later she is about to embark upon a third series of her own spin-off adventures on Children's BBC. If this might seem a fanciful interpretation, the imagery is even more explicit at the climax of the film where the Doctor, as one critic put it, ‘is manacled to a crucifix and garlanded with a crown of nails’. Letts also directed the series at various points, and returned to it 1980 as the executive producer for Baker's last season. Other guest appearances included The Avengers (1964). With the exceptions "The Enemy Of The World", "Robot", "The Android Invasion" and his one season as executive producer in 1980-81, every Doctor Who story regardless of media in which Lets has been involved - whether as producer, director or writer - has involved this version of the character. His production of "Jane Eyre" starring Timothy Dalton and Zelah Clarke was nominated for a BAFTA award. [6] Letts was a Buddhist and also held liberal political views. Later he was a director on the soap opera "EastEnders" from 1990 to 1992.
He remained intensely proud of his association with Doctor Who - even when he was recovering from chemotherapy he continued to appear at conventions, generally sharing the stage with his perfect foil and lifelong friend, Dicks. (DCOM: The Hand of Fear) He was so taken with Ian Marter's qualities that he twice gave the actor the chance to become a series regular. In the 1980-81 series, he returned to be executive producer alongside John Nathan-Turner as the producer. The cast were given a two-year contract with the studio, but it was deferred until after the second world war, during which Letts was a sub-lieutenant in the Royal Navy Coastal Forces. Letts was a Buddhist, and his beliefs influenced his contributions to the series, such as the episode The Green Death (1973), co-written with Robert Sloman, which reflected his ecological concerns. On modest budgets and with limited location filming, his productions rated well and are fondly remembered. By the early 1960s, Letts had begun writing episodes of series, including Dr Finlay's Casebook, and he took the BBC's directors' course in 1966. He appeared in front of the camera as himself in many bonus documentaries. Barry Letts (born Barry Lepold Letts on 26 March 1925 in Leicester, died 9 October 2009) is perhaps best known as the producer of Doctor Who during Jon Pertwee's tenure as the Doctor (barring his first story). [4] He also oversaw the celebration of the programme's tenth anniversary in 1973, uniting the first three Doctors in the first multiple Doctor story, The Three Doctors. As recently as last month he was contributing to the DVD range of Doctor Who releases, his mind as sharp and his manners as intact as ever, even though he was physically frail.
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