broadway theatre group

In 1982, the venerable Los Angeles Theatre was facing demolition, when business leader Ezat Delijani decided to purchase the building with the intention of preserving it for its beauty and historical value. The increasing demand paved the way for more theatres to be constructed on Broadway, not just for vaudeville or legitimate theatre, but for movies. Nearly a half-century later, on May 9, 1979, the federal government's National Register of Historic Places placed the Broadway Theater and Commercial District of Los Angeles on its list, making it the first and largest historic theater district in the country to appear on the National Register. With a seating capacity of 2,450, the Orpheum sought the best of both worlds, by hosting both movies and live vaudeville performances. With a seating capacity of only 782, it lacked the grandeur of the Orpheum, but it took its place among the growing cluster of ornate theatres lining Broadway. The theatres in the Broadway Theatre Group have also been used extensively as locations for feature films (The Dark Knight Rises, The Artist, Hitchcock, The Prestige, The Big Lebowski, The Mambo Kings), TV shows, commercials, music videos, magazine photography shoots and more. The Orpheum was built on Broadway in downtown Los Angeles, which at the time was the city's main commercial thoroughfare. Two other vaudeville theatres had already been built on Broadway the previous year—the Cameo and the Arcade—but in June of 1911, the Orpheum was the new, hip hot spot in town. For the first time, people could hear the actors speak, move and sing in time with the action on the screen. By the end of that same year, the theatre was closed, until it was later re-opened as a second-run movie theatre by William Fox, who had acquired the building in bankruptcy court. They presented Shakespeare plays and ballad operas such as The Beggar's Opera. And it wasn't finished. But as Los Angelenos began to find other options for their entertainment throughout the city, and as the proliferation of automobiles made it easier for people to travel to these other options, the Broadway Theatre District entered a period of decline. The opening of the Los Angeles Theatre is forever linked with the premiere of what many consider to be Chaplin's greatest work. The Broadway Theatre Group was established to preserve several of the great movie palaces built in Downtown Los Angeles during the early 20th century and restore them to their original beauty and grandeur, while making them available as viable, versatile and unique venues for the performing artists and cultural events of today. One last Broadway theatre—the Roxie—was built in 1932, earning the Broadway Theatre District a distinction for having the world's highest concentration of movie palaces in a six-block area. The new Orpheum was now the center of the vaudeville circuit in Los Angeles, while the Broadway Palace was relegated to musical comedy and variety shows. Find out everything you need to book your next event at the Broadway Theatre Group. They devised a way to record actors' voices during production and chemically add the sound track onto the film being run through the projector. Fewer than ten percent of the city's residents owned an automobile. Yet despite this auspicious beginning, the Los Angeles Theatre proved too expensive to maintain. D.W. Griffith was a couple of years away from directing his seminal epic Birth of a Nation and Charlie Chaplin was a British vaudeville performer who had yet to step in front of a movie camera. To book the theatres for an event, contact Event Programming at events@btgla.com or by phone at 213-488-2009. Restoring and re-activating these theatres has been a major catalyst in the revitalization of the Broadway District, in tandem with the City of Los Angeles's Bringing Back Broadway initiative, led by City Councilmember José Huizar. The Broadway Theatre Group currently consists of four theatres located within a two-block stretch of Broadway in Downtown Los Angeles: Millions of dollars have been invested in restoring the architectural and interior design of these theatres.

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