In The Godfather Part II, it's the Cuban revolution, and in The Godfather Part III, it's the Vatican Banking Scandal and the sudden death of John Paul I. At Batista's New Year's Eve party, at the stroke of midnight, Michael grasps Fredo tightly by the head and kisses him, telling him: "I know it was you Fredo; you broke my heart."
What's interesting from the scenes which surround this is they are incredibly bleak whereas the party scene is so full of movement and warmth.
At the ending of the second film I found the flashback in one of the final scenes quite jarring. In his office, Michael meets with corrupt Nevada Senator Pat Geary (G. D. Spradlin) to discuss the price of the gaming licenses for the hotel/casinos the Family is buying. 2. The bare-faced lie to his wife acts as a sign that their relationship has become far more distant since those early scenes spent Christmas shopping and is a foreboding sign of things to come, as Michael continues to adopt a double life as a criminal kingpin and an honest family man.
He feels that Michael has abandoned him, failing to defend his territory from incursions of the Rosato brothers, who work for Hyman Roth, who in turn works for Michael. While they argue over the announcement, they hear Don Vito arrive. The structure of the Godfather Part 2 is to tell two stories about two men in parallel, Vito and Michael Corleone.
Michael neither confirms nor denies Connie's accusations, and merely holds her, before sending his sister downstairs to see a doctor. 3. Kay Corleone knew her boyfriend Michael had an interesting family at least somewhat early on in their relationship, and Michael wasn't necessarily shy about sharing some of the less savory details of his father's business with her even before they were married.
Coppola then made rewrites allowing for the scene to carry on without Brando. Michael ends his conversation with Geary when he refuses to pay the outrageous fee Geary demands, telling the senator he'll get nothing.
Michael's character embodies a form of individualism which is contrasted with the other members of the Corleone clan. Anyhow to your actual question, as to why it's there: to illustrate how far Michael has gone down a path that he never intended to go down. A flurry of blood, stunning cinematography, violence, metaphor and iconic dialogue, The Godfather's ending delivers on every conceivable level still sets the bar for climactic movie finales almost 50 years after debuting in theaters. I think what Coppola was after was that your character shapes who you become - Michael was a natural leader and icily efficient and he became the Don and replaced Vito because he grew into himself. A now-livid Michael Corleone then banishes Kay and takes sole custody of their children. Kay, of course, is an educated, professional woman, and isn't as willing to turn the same blind eye to Michael's activities that other mafia wives might. The only structures used in the movie that still remain are the complex of old native stone boathouses with their wrought iron gates.
Michael and Fredo embrace, but at the same time Michael signals to Neri that Fredo's protection from harm, in effect while their mother lived, has now run out. The scene, which is seen as a flashback through the eyes of Michael, takes place after Michael has taken care of all the loose ends in the narrative. Michael confides to his brother that it was Roth who tried to kill him, and that he plans to try again. In the flashback Michael betrays the family to a certain degree as he's putting his country and himself first. Close.
Related: 10 Movie Board Games That We Can't Believe Exist (But Definitely Want To Play).
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