[84] These feline traits were incorporated into the movement and choreography so as to create an "anthropomorphic illusion". You can occasionally see the outlines on people’s faces where their ears have been CGI-d out. Are you a cat person? It also ran on Broadway for 18 years and remains the fourth longest-running musical of all-time there. We won’t be able to verify your ticket today, but it’s great to know for the future. Admittedly, the competition wasn’t stiff that season, but even so, the show holds up: It’s well-crafted, melodically astute, smartly constructed. [114] Pia Douwes was also a member of the cast from 1987 to 1989, covering several different characters including Grizabella. [82][85] She recalled the difficulty she faced in persuading Lloyd Webber to add the extended dance break, culminating in her and her dance crew having to dance all the parts in the "Jellicle Ball" to convince him. [94] The costumes generally consist of a unitard, a wig that is fashioned to suggest the presence of feline ears, patches resembling body fur, and arm and leg warmers to give the performers' hands and feet a more paw-like appearance. I immediately decided that I needed the support of another to encourage me to re-work my settings and to see if a dramatic whole could be woven from the delightful verse that I was now to be allowed to develop. [179], Influenced by the show's success in Vienna, a German production by Stella Entertainment premiered in April 1986 at the newly renovated Operettenhaus in Hamburg. The Internet hates that show! Contact Michael Blackmon at michael.blackmon@buzzfeed.com. Andrew Lloyd Webber, who created the stage musical and clearly has never met a melody he didn't repeat over and over, cribs from his Jesus Christ Superstar "Hosanna" song with Mr. Mistoffelees' big number, but damned if I wasn't singing along to it anyhow. Before Old Deuteronomy can announce his decision, Grizabella returns to the junkyard and he allows her to address the gathering. But that doesn't make sense, you say? Billington praised the show's "strong framework" and the ease in which the poems were integrated. First of all, I don't think Cats is any more pacifying than frothy musicals like Hello, Dolly! [120][194] Jorma Uotinen directed and choreographed a Finnish production at the Helsinki City Theatre that ran for over two years from September 1986 to December 1988, and featured Monica Aspelund as Grizabella, Heikki Kinnunen as Gus, and Kristiina Elstelä as Jennyanydots/Griddlebone. In the 1998 video version, the entire scene featuring Growltiger was cut. Just as Jennyanydots finishes her song, the music changes suddenly and Rum Tum Tugger makes his extravagant entrance in front of the tribe ("The Rum Tum Tugger"). The whole story, such as it is, is nonsensical and tough to keep up with, and not something that necessarily lends itself well to conventional storytelling or the adaptation process. [315] Cats established musical theatre as a global commodity,[316][317] marking the beginning of a new era in the industry that is characterised by huge global stakes for potentially even huger global profits. [168] Following further revisions in 2018,[169] the current incarnation features 27 named cats, including both Jemima and Sillabub (who have evolved into two separate characters), and an original character named Gilbert. [324], Additionally, Cats was the first Broadway and West End show to capitalise on merchandising as a major revenue stream. [290] On 24 March 2013, the largest-ever staging of Cats was performed by 3,000 students from Stagecoach Theatre Arts schools at the National Indoor Arena in Birmingham, UK. [210], The Dutch live entertainment company Stage Entertainment has been responsible for several European productions of Cats. ", "Beverley Knight Will Take on the Role of Grizabella in Andrew Lloyd Webber's Cats Revival", "Geffen Sizzles While Biz Drizzles: Broadway is Next Stage for Pop's Top Composers", "The Top 10 Highest-Grossing Broadway Shows of All Time", "Cats the musical to go global again as theatre extends run to 100,000 new tickets", "Now, Forever...and Again!
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