palladium nightclub nyc 1980s
Seating 3,000, it was popular with both mainstream bands and upcoming acts which could open a major bill. It had a good run: a scene from Desperately Seeking Susan was filmed there, and it helped launch Madonna’s career. John Keveanos and Matty Walsh stand outside the legendary Jimmy Ryan’s Dixieland club, at 154 East 54 Street in Manhattan, before it closed in 1983. The nightclubs of the 1980s and 1990s were often wild landscapes that attracted even stranger nocturnal animals. Posters for New York's legendary club nights designed by the likes of Keith Haring, David LaChappelle, and Jenny Holzer were once distributed and produced en masse, and have since become valued works of art. , Diego Cortez, Jimmy DeSana, and Pat Place – packed into the tiny bar, watching the latest punk bands perform. (Credit: Newsday / John Keating), A phone in the Kenny Scharf room at the Palladium Dance Hall in Manhattan as seen on June 25, 1985. For many New York club-goers in the 1980s and 1990s, the Limelight defined what it meant to be cool. This site uses Akismet to reduce spam. Rock stars and artists treated Max’s like their own personal living room. Once given away free of charge, they are now valued as works of art. “The flyers are tightly connected to real events and real cultural moments. He first got involved in the downtown scene in the mid-1970s, when he started hanging out at legendary club, , and noticed a confluence of artists – among them. This ad is from the East Village Eye, December 1985: Danceteria existed at a couple of different locations before settling on 21st Street in the Flatiron District until its demise in 1986. The theater featured a highly regarded sound system that was designed and installed by Richard Long of Richard Lo… The … Located near the water and the pier was there. “The flyers are tightly connected to real events and real cultural moments. The Club Kids, led by impresario Michael Alig, turned places like the Limelight into backdrops of drug- and techno- induced drama, while live music dens like the Village Gate presented stages to some of the great jazz musicians of the time. Charley Magruders Atlanta, GA 80's-90's. ( Log Out / That’s where their value lies,” says archivist Marc H. Miller, who curated the exhibition A Golden Age of NYC Nightlife: Nightclub Ephemera from the 1980s now online at Gallery 98. View The Palladium's concert history along with concert photos, videos, setlists, and more. (Credit: Newsday / Ken Sawchuk), Glen DJ Houseman Williams Transport Sessions. “But the longer you live the more you realise financial value has a strong connection with history and what gets saved.”, AREA, Antonio Lopez, A Celebration for Kevin, Folded Card, 1984, AREA, Grace Jones & Christian Jones, Folded Card, 1986, Carbon, Susanne Bartsch, Grand Opening of Carbon, Folded Card, 1997, Club 57 at Irving Plaza, Lee Scratch Perry, Richard Hell and the Voidoids, Card, 1981, Xenon, Everybody Hates Punk Tad Shaffer, Poster, 1978, The World, Jackie Curtis, Taylor Mead, Oh! This ad is from the East Village Eye, December 1985: Danceteria existed at a couple of different locations before… The nightclubs of the 1980s and 1990s were often wild landscapes that attracted even stranger nocturnal animals. The club’s founders, Diego Cortez, Anya Phillips and Steve Maas, would advertise theme night parties, hosted by Maas. Blog at WordPress.com. Years after the place closed in 2001, its reputation still fascinates nightlife entrepreneurs. Produced and distributed en masse, they have become a record of New York’s downtown scene. The Academy of Music opened as a movie palace at 126 East 14th Street. Change ), You are commenting using your Google account. That’s where their value lies,” says archivist, A Golden Age of NYC Nightlife: Nightclub Ephemera from the 1980s, Miller, who arrived in New York in 1968, lived on the Bowery for two decades. These eye-catching pieces of ephemera became an integral part of the event, with denizens eager to get on the mailing lists and have an instant “in” to that night’s coolest scene. In the mid-1980s, the Palladium was converted into a nightclub by Steve Rubell and Ian Schrager — who'd worked with Studio 54 in Manhattan. Also in New York was Palladium, ... Disco music, then, evolved into rave music. Change ). Really great club to hang out in, and catch a good hair band! By the 1970s, Max’s began hosting performances for glam rock and punk icons, setting the tone for a new breed of nightclub culture that brought together the worlds of art, music, fashion, literature, and film into a carnivalesque environment. In the early days, performers would make their own cheaply produced Xerox flyers, but as the scene grew and became more competitive, clubs like Area, Danceteria, Limelight, and Palladium began producing more glossy invitations in-house. Before the advent of the internet, promoters spread the word by creating innovative flyers to advertise their one-night-only affairs. Fill in your details below or click an icon to log in: You are commenting using your WordPress.com account. Oh!, Card. If you considered yourself a club kid in the 1980s, you probably remember Danceteria—one of those venues, like the Mudd Club, Area, and the Palladium, considered vital part of New York's downtown music and art scene. You can leave a response, or trackback from your own site. See more ideas about Nyc, Night life, Studio 54. Channel 80 New York, NY 1980's. (DJ Tech Tools), The Roots of House Part 10: Other Chicago Labels. (Credit: Newsday/ Jim Cummins), Legendary doorman Haoui Montaug stands with his assistant Yehjong Son to go over the guest list and to decide who will gain entry to the Palladium night club on Oct. 11, 1985. This club was highly sophisticated. “Little-by-little, bands began using visual artists for publicity and their album covers, like Patti Smith’s connection with Robert Mapplethorpe,” Miller says. But as with everything in the city, the scene is constantly changing, and looking through the rare images below is a reminder of how fleeting it is. Miller, who arrived in New York in 1968, lived on the Bowery for two decades. In the mid-1960s, Max’s Kansas City became the mecca of New York’s avant-garde, attracting a mix of artists, writers, musicians, and underground stars who made the famed backroom into the ultimate nightlife destination. (Dec. 22, 1983)(Credit: Newsday/ Dick Yarwood), Patrons enjoy drinks by the bar at Tramps on 21st Street on May 25, 1985. “From the start, the Mudd Club was always aiming to be the cutting-edge art scene. Artists like Antonio Lopez, Keith Haring, David LaChappelle, and Jenny Holzer would collaborate on these flyer designs. Palladium, Keith Haring, The Great Peace March Benefit, 3-Fold Pamphlet, 1986 “The flyers are tightly connected to real events and real cultural moments. The Palladium Salt Lake City, UT 1985-1988. When the Mudd Club opened in Tribeca in 1979, the club scene changed irrevocably. Sorry, your blog cannot share posts by email. You can follow any responses to this entry through the RSS 2.0 feed. Chronicling an ever-changing city through faded and forgotten artifacts. This entry was posted on November 12, 2008 at 5:18 am and is filed under Flatiron District, Music, art, theater. Jackie! Like Huck on Facebook or follow us on Twitter. Entries (RSS) and Comments (RSS). It had exhibitions, music, hanging out, and networking,” Miller says. Let the party begin. (Credit: Newsday / Chris Hatch), Shout Disco, pictured here on its opening night on July 31, 1985, was a new club on West 43rd Street that catered to ’50s and ’60s rock-and-roll. Tags: 1980s clubs in New York City, Area, Danceteria, Desperately Seeking Susan, Flatiron District, Madonna, Mudd Club, Palladium. Capturing the secrets of the New York City subway, A photographer’s lifelong love affair with Coney Island, The trailblazing activist legacy of Keith Haring, Capturing the underground hedonism of Studio 54, Legendary New York club CBGB to be reborn as an airport restaurant. We use cookies to ensure that we give you the best experience on our website. “Being very anti-commercial in my youth, I always feel a little sense of guilt because now it’s all about putting a price on them,” Miller says, reflecting on the flyers’ acquiring artwork status. Many bands performed at the Palladium in the middle of large arena and stadium tours, due to the prestige of the theater and the excellent acoustics. http://www.amny.com/entertainment/old-nyc-nightclub-photos-rare-images-from-the-1980s-and-1990s-1.10600568#14, FAT TONY: “DJS ARE NOT DISPENSABLE” (MIX MAG), A New Dimension: The CDJ-3000 has landed | Evolved flagship multi player offers new world of creative possibilities, TRIBUTE TO NICK MARTINELLI — SELECTED & MIXED BY WALLA P, Record Store Recs: Chicago House Hero Marshall Jefferson On Representation In Dance Music, DWELLER FESTIVAL IS RECLAIMING TECHNO’S BLACK HERITAGE (MixMag), Could the DJ livestreaming renaissance be over?
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