sheffield lyceum view from stalls
But lest I forget, I did more than dance my way through that year. Consequently, John Hart kept the big panto there while the Lyceum hosted smaller family shows like Little Bo Peep or comic operas like Tom Jones which stayed for only one or two weeks over Christmas. Perhaps the most striking effect, however, was provided by the proscenium itself. Four years later, when Ken Platt appeared with Morecambe and Wise in Dick Whittington, the press seemed even more incredulous: “One is left wondering how long it will be before all pretence at story vanishes from pantomime, for in this Dick Whittington there is even less plot than usual.” Nevertheless, pantomime at the Lyceum became a great Sheffield institution and winter just wouldn’t have been the same without it. The best seats are around one third of the way from the front of the Stalls in the centre, although those situated at the rear still offer an excellent overall view. We shall bring society plays and comedies here and pantomime will be a great feature with us.”, Things could have been very different. The building of a new Sprague theatre in the city, however, provided further evidence in their view that “any reflection which an artiste’s mind might have cast on Sheffield in the past has now been removed.” Here was a building worthy of the best, and there was every confidence that the best would come. Although the subject matter may not have appeared directly relevant to war-weary Sheffield – it dealt with the American Civil War and the creation of the United States – the Lyceum’s patrons were reminded that “the vital and enormous part which women played during those years is being, and will be duplicated by the heroic women of the UK.” This massive production required far more than the jaunty piano accompaniment which was usual in the silent cinema. If it could get through that each year, perhaps it was to be expected that it would cope with a World War or two. Fire had always been a hazard in the theatre – the 160-year-old Theatre Royal which stood across the road was completely gutted by flames in 1935 – but the Lyceum managed to shrug off its own serious outbreak in 1899. Again, the crowds clapped, the loudest acclamation coming from the very top of the perilously steep gods. We’re the Lyceum. Auditorium Ceiling from Stalls. The Theatre Royal, one of the oldest theatres outside London, stood on the opposite side of Tudor Street to the Lyceum, and had played traditional variety style pantomime for many years. Stalls guide. Cheer up! See the view from your seat at Lyceum Theatre (West End). “The great actor appeared deeply moved and uttered his speech in a voice which was, at times, almost choked with emotion.” He went on to say “I would like to thank tonight many citizens of Sheffield, many distinguished citizens for their sweet acts and most gracious courtesies… I hope that you will always remember me as your grateful, loving and loyal subject.” Less than a week later Sir Henry Irving died, but the Lyceum, of course, lived on. He then claimed that the magnificent architecture ranked with the best in the country as there was a superb, clear view of the stage from every part of the house. Made of 23 rows and divided into three sections by two aisles, the Stalls at the Lyceum Theatre not only offer great views to audience members but also provide plenty of legroom and comfort. The seats span from row A to ZB (omitting rows I and O), and are divided into five blocks. In its place, Stacey built the City Theatre which he ran for three years, but by the end of 1896 he had not been able to make it as successful as he had hoped and the Sheffield Local Register for December 3rd records “City Theatre purchased by a syndicate who decided to make structural alterations and call the house the Lyceum.” This is indeed what happened. This celebration of the glorious building provided Mr. Hart with the opportunity to introduce W.G.R. It had closed as a theatre when I was two; it survived as a bingo hall for a while, as was the way in the 1970s, but it seemed destined to become one of those inner city puzzles whose solution lay in a big thump from a wrecking ball. Big names who were doing well on the radio began to star in the shows – people like Frankie Howerd, Freddie Sales and Harry Secombe – and in 1948, John Beaumont hired a highly successful variety comic called Frank Randle to appear in Mother Goose. “All the male members of Peg O’ My Heart have either attested or are not eligible for the navy or army,” they said, and every effort was made to maintain theatregoing as a regular habit, despite the upheavals in Europe. Sprague himself had served for three years in the offices of Walter Emden, the City Theatre’s architect, having already done four years in the service of Frank Matcham who designed another great theatre, the Sheffield Empire of Charles Street. We sat in the stalls row L. Great view. Stand up! Seat reviews from fellow theatregoers for Stalls N6 (Stalls Row N Seat 6) at Lyceum Theatre. First there was a popular circus, a flimsy wooden structure which was let to a man called Dan Leno and which was known as Leno’s Varieties. Lyceum Theatre, Sheffield Picture: Stalls row L - Check out Tripadvisor members' 14,163 candid photos and videos. Photographer Laurance Richardson contributed some magnificent images, including a memorable shot of bulldozers digging out the auditorium floor. By clicking on or navigating the site, you agree to our use of cookies. This filled the proscenium opening with names like Davy’s Pure Ices (“The best you can buy – as served in this theatre”), the Gwen Wilken School of Dancing (“For correct training in all branches of the Art”), and White, Favell and Cockayne (“Sole agents for the ‘Meriel’ cigars as supplied to the House of Lords”). John Hart ran a chain of theatres which included the Grand Theatre in Leeds, the Opera House in Bradford and the Prince’s Theatre in Manchester, and it was not long before Sheffield’s Theatre Royal also came under his control. more. The story no longer reigned supreme in Lyceum pantomime as the press were quick to point out: “Officially, in this Sheffield Lyceum pantomime, Frank is Jack, but I have yet to discover what Frank is to the plot, or to recall an utterance of his that had anything to do with it.”.
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